But it certainly is rewarding. Here's what it's been like pour moi:
After a Saturday afternoon of rewriting a new chapter, I went to see
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After procrastinating by watching 60 Minutes and Cold Case featuring all U2 songs and washing my kitchen floor and cabinets, I went to bed at midnight, woke up at 3, spanked out the two reviews by 6, went to the gym and spun for an hour, held office hours at a coffee shop and graded papers, took care of some business at the office--including booking my trip to Paris(!)--, spent the afternoon working and reworking the third draft of that now newish chapter and the first act of my old screenplay, prepared them for submission to a competition, went to my narrative theory class and bluffed my way through it, came home and got ready for the next day.
I'm learning what a deliberate writing practice takes for me. I've always had some talent, whatever the hell that is, which has meant I can consistently write quickly and relatively cleanly and I work well under pressure. But I've allowed myself to get away with dashing things off. Now I'm getting into spending hours at a stretch revising a couple of pages. Really working through my own material. It's good. I can do this writer's life thing. I like to work at a coffee shop--it helps ease the isolation. I don't know if writing for a living is my aim after all. Perhaps. Teaching seems to be a good balance.It would be nice to have the option to live off my writing, though. Get a place in the West of Ireland near a cliff, surround myself with animals and a big garden, have a pub where I can end my long days of writing, spend a few months out of the year teaching in Dublin. Or Paris. Or Sarajevo.
I suspect I'll always desire a kind of split life. I crave a solitary existence, but I can also be intensely extroverted--on my own terms. I'm city mouse and country mouse rolled into one, and I like it that way.
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